Cross-border Cultural Production

Cross-border Cultural Production

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This volume addresses issues revolving around the production of mediated cultural products across borders. More specifically, the authors consider cross-border cultural production in the film and television industries and how it affects and is affected by media centers, and, more recently, established production locations. The film and television industries have long been recognized as playing important economic, political and cultural roles. And while it could be argued that, historically, these forms of cultural production often have been international endeavors, the choice of production sites has become an especially contentious issue during the last few decades as global production has expanded. While some factions, notably from the US film and television industries, refer to this issue as qrunaway production, q this book takes a much broader look at the implications and consequences of this phenomenon. Basically, cross-border production involves the expansion of production away from traditional centers, whether to other countries or to other locations within the same country. Thus, this study covers a wide range of issues involving economic and political considerations, as well as creative and aesthetic decision-making.In the case of British Columbia, some two-thirds of provincial tax credits have been paid to service productions, primarily from Hollywood, with no ... In New Zealand, although the LBSPG was targeted at attracting high-profile, big-budget offshore productions, the largest beneficiary in the first 2 financial years of the program was Peter Jackson for King Kong (2005) (New Zealand Film Commission, 2006).


Title:Cross-border Cultural Production
Author: Janet Wasko
Publisher:Cambria Press - 2008
ISBN-13:

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