Music, Disability, and Society

Music, Disability, and Society

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Musical talent in Western culture is regarded as an extraordinary combination of technical proficiency and interpretative sensitivity. In Music, Disability, and Society, Alex Lubet challenges the rigid view of technical skill and writes about music in relation to disability studies. He addresses the ways in which people with disabilities are denied the opportunity to participate in music. Elaborating on the theory of qsocial confluence, q Lubet provides a variety of encounters between disability and music to observe radical transformations of identity. Considering hand-injured and one-handed pianists; the impairments of jazz luminaries Django Reinhardt, Horace Parlan, and qLittleq Jimmy Scott; and the qBlind Orchestraq of Cairo, he shows how the cultural world of classical music contrasts sharply with that of jazz and how musicality itself is regarded a disability in some religious contexts. Music, Disability, and Society also explains how language difference can become a disability for Asian students in American schools of music, limiting their education and careers. Lubet offers pungent criticism of the biases in music education and the music profession, going so far as to say that culture disables some performers by adhering to rigid notions of what a musician must look like, how music must be played, who may play it, and what (if any) is the legitimate place of music in society. In Music, Disability, and Society, he convincingly argues that where music is concerned, disability is a matter of culture, not physical impairment.Available at http://www.bhs.umn.edu/healthdata/results/shs/2004 _MentalHealth_Rpt.pdf. ... In the wings of British orchestras: A multi-episode interview study among symphony players. ... First woman takes a bow at Vienna References / 173.


Title:Music, Disability, and Society
Author: Alex Lubet
Publisher:Temple University Press - 2010-12-17
ISBN-13:

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