Wildlife Films

Wildlife Films

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If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural worlda€”particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films that so many viewers take as accurate portrayals of wildlife, however, have evolved primarily as a form of entertainment, following the established codes and conventions of narrative exposition. The result has been not the representation of nature, but its wholesale reconstruction and reconfiguration according to film and television conventions, audience expectations, and the demands of competition in the media marketplace. Wildlife Films traces the genealogy of the nature film, from its origins as the qanimal locomotionq studies that mark the very beginnings of motion pictures themselves, to the founding of the Animal Planet cable channel that boasts qall animals, all the time.q The narrative and thematic elements that unite wildlife films as a genre have their roots not in the documentary film tradition, but in the older traditions of oral and written animal fables as reflections of human society. Derek BousAc contends that classic wildlife films often portray animal protagonists living in families modeled on an ideal of the human nuclear family and working in communities that resemble an ideal of bucolic human society. In these storiesa€”presented as documentariesa€”animals are motivated by human emotions and conduct relationships according to human customs. This imposition of culturally satisfying narrative patterns upon the lives of animals has not only led to the misrepresentation of the natural world; it has promoted the notion that our values, our moral vision, our models of society and family structure derive from nature, rather than being cultural formations.Willocka#39;s account of the formera#39;s production further attests to the tyranny of the Disney formula both on the expectations ... After reviewing a draft he told Willock, a#39;a#39;you have written a perfect Disney script: you could not have done better if you hadanbsp;...


Title:Wildlife Films
Author: Derek Bouse
Publisher:University of Pennsylvania Press - 2011-11-29
ISBN-13:

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